A Conversation with Oranyan Coltrane on Life and Music …

 A Conversation with Oranyan Coltrane on Life and Music … 

Oranyan Coltrane

“Music has to do something for you, if it doesn’t move you or evoke something …it has to do something for you! ” Oranyan Coltrane

What was it like growing up as one of the sons of the legendary John Coltrane & Alice Coltrane? Well, I grew up in a very awesome musical household – my parents are John Coltrane and Alice Coltrane and we’re jazz musicians. We had a grand piano in the living room and I can remember my mom always playing classical music and  jazz music and her own compositions so it’s just an awesome feeling to be surrounded by such greatness and  such awesome music

Were you close to your mother? Close to my mom, my father passed when I was really young. I was born in 1967 and he died shortly after that.. like the following month so I didn’t get that connection with my father that much.  His music is very sentimental to me and I feel his spirit ever-present in his music and it’s a deep connection for me whenever I listen to my dad’s music.  One way that I really feel a part of him and that I feel that I know him…

John & Alice Coltrane

John & Alice Coltrane

Is it a gift or a double edge sword to have famous parents? Exactly … Well, I feel that everything is a reflection of my parents in a way because they’re both such awesome jazz musicians. People will talk to me and they say “Oh my gosh, your parents are awesome… and  you know I used to listen and study John Coltrane in college and all your dad’s compositions are really wonderful” and I don’t mind that, I feel honored by that, they’re my parents and they’re only giving their thanks to them and showing their love for them and what they’ve done. So that doesn’t bother me at all… I think it’s wonderful.

How was your childhood? Childhood was cool. We grew up in Huntington, New York, lots of snow and it was cold. I don’t have too many childhood memories. I have two older siblings  John and Ravi and we used to play in the snow and ride our bikes and stuff like that and tear up the house …you know, things that boys do!

Did the three of you get together to play? Yes, at one time, we had a quartet myself, my brother Ravi and my brother John. Ravi was playing tenor saxophone and soprano and my older brother John was on bass.

Did you feel any pressure growing up with music in your blood? No, I’ve always felt blessed and enlightened by it because my parents were my examples and I knew that I had to do great things in music. I knew that … I had to… that music was my calling. Of course, I knew this is where I would be going, that my career would be in music, but I never felt pressured in music. I think there was more pressure for my siblings. My brother who is a jazz musician and he is very good at it ..and I kinda felt that he would have liked me to follow in that way also .. he would have liked me to stay playing jazz and that kinda thing, but I had another idea in music.  I wanted to follow my own path, different styles of music. I was playing rock for a while.

I studied at various universities  CAL Art, Cal State Northridge and I was in jazz ensembles and music appreciation and I’ve always had such  a great appreciation for music, I could play rock music or I could play Pop and dance music and I enjoyed it so .. I just I never felt like I needed to stay with one thing,

What does music mean to you?  Music is a way for me to open up & express how I feel, express my life… any kind of music. Music to express life and it does not matter which style it is.

So you first started playing jazz …and then rock? I enjoyed jazz, I got to travel all over the world and concertize in many different places. That’s really like my first and most powerful experience in professional music. Playing jazz and traveling the world with my family.

Why did you stop playing jazz? Well, it wasn’t about stopping… it was about keeping moving and playing the music I wanted to play.  Back in that day, you felt you could do everything and there were no limits. I wanted to start a band. I started a rock band in 2001.  I picked up a guitar, played drums and sang and we played overseas in the Philippines.  So, that was pretty cool. Then I wrote an album self-entitled “Oranyan” released in 2004. It was actually recorded and produced right here in my home studio and then from there, I went to electronic music.


What made you switch, do you recall…? That’s a great thing. I always had a drum machine and stuff like that at my home and liked playing with synthesizers, different sounds and tweaking so I always had electronics in the back of mind.

You remind me of a kid in a candy store…what candy or what instrument are you going to try next? Music is so fathomless and we shouldn’t put limitations on ourselves and it’s so forgiving too. Music is very forgiving, if you do something that isn’t that great, you can always go back and make it better. So, yeah…  it’s always been in the back of my mind with electronic music and I finally just went out and bought some software and started composing songs on my laptop. Which is really rewarding, I mean I feel so happy when I create new music.

What are you working on now?  Electronic music with some trance and dance music overtones. I am working on a trance house music album right now. I am doing the recording now A 13-15 track album.

Why trance music? Because trance has this kind of hypnotic and inviting feel to it. It just allows you to .. it moves you.. it moves your spirit into one-pointedness which is spirit… it’s like a mantra… It has that meditative quality and meaning to it.  I believe what I am trying to do is express myself through my music. I think music can transform the world, it can move mountains, it’s a very powerful force and I think it can. On a spiritual level when you offer that music to a higher power others can benefit from your work and from what you are doing. I also believe that if something is created in a very .. I don’t really know how to word it.. but whatever your intentions are…in your music then people will see that. If you’re just going to be angry about something then that would be a terrible thing to do to the world because that’s what you’re offering humanity. I just try to fill it up with everything that I am at the moment and all the good things that make me happy.

So, music is who you are at the moment? Yes, but you see, I still see this as being ONE… musically as a person, as a vehicle, I have changed but as a person, I haven’t changed.  Musically as a person as a vehicle, I haven’t change…but music as a vehicle has changed because it’s gone from jazz music to rock music to the kind of music that I am doing now. Music as a vehicle has changed but me as an instrument, my voice as an instrument has not changed because I still write and sing about the things that I love, that I enjoy, that’s what I think music is about. So I am only trying to express that. It’s a great process, life events…

The loss of your mother, not too long ago, what this part of that experimentation and was it a grieving catalyst? Yeah. Music is that way, you’re able to express a lot of things through the music and you know, pain, joy, all the works. About my mom’s passing, did it affect me and my music.. as far as musically? As far as me as a person, I took like it any other child would who has lost their father and their mother. I took a moment just to grieve and to appreciate, remember who she is and everything that she meant to me. So yeah, I just needed to just step aside reflect who she is, step aside from everything  and deal with my mom’s passing which I was fortunate to have done and  that helped me grow and like I said it helped me to  remember and to appreciate everything that she and my dad had done for me and my family so it was really a growing process. When you work out of the pain you’re able to grow and you can feel at peace with yourself again. So those things come out in the music also…If you’re an artist those things, those emotions and feelings are there, I mean how could they not…so I don’t know if music works that way if it’s that extreme.. for me I changed my style because I am searching for who I am .. that’s what I felt and I feel really content in music right now, I like what I am doing now.

How do you go about recording your music? I try to have as much fun as possible when I am. From there just start building the machine, start building the vehicle, the music. I go from drums to the base and then to chord an then I’ll start charting down some ideas…the music really dictates what it’s going to be.  I am a reverse writer like most people will write the lyrics to a song  and then they’ll  start fooling around on the keyboard and get an idea based on what the words and the meaning is, whereas I create the music first and after I do that I am able to write some things down, jot some things on paper as to how the music is making me feel, what does it mean to me and that kind of thing . And that’s the fun part for me because sometimes I’ll just improvise. I don’t necessarily need to go to the pen and paper. I’ll just improvise and listen back to it and say “Wow! I like that, that was good! That’s definitively the hook!” I build off that.

When do you know when you’re done? Well, that’s a good question. Some songs are immediate, some songs write themselves. You know musicians are just really incredible people… they’re just incredible.. you’re a musician, aren’t you?

[More of a writer. I use the word to express myself on paper but I can relate to the inspiration of a musician or an artist in general…]

There’s no mistake in music so it’s like I am finding it hard to explain what  I am trying to explain… it’s like when you’re writing music you get in this state of a spiritual state or meditative state sometimes and literally, the music is just flowing through you, it’s like literally flowing through you… it’s like, like jazz musicians improvising. You reach a place where you’re really just one with the music and you’re able just to express. Literally what’s going on is through your soul and it’s amazing, it’s like having a breakthrough. Now that’s in playing music, but now when you’re writing music sometimes you reach those places where the songs just write themselves sitting there just looking at a good song. Those are the songs that are definitively hit songs, it’s definitively magic, it’s definitely a blessing and then there are other songs that you work on and they just take forever. I mean I had songs that, you know, I just have to set aside and then go back to them later because they’re just  not fully realized  and it’s not going to be good for me  to just bang my head over the wall and be like I “have to” write this song, I want it to be perfect. Some songs are sacrificed and you have to let them go and revisit them later and maybe at that time you’ll have the song you want or you’ll get the blessing…

Where do you see yourself in the near future? I am working on a dance song with just a simple dance song, with rhythm… I don’t know what the album is going to be or what I am going to name it. I like to write the songs first and then when I am done  I’ll be able to come up with a good title for the album but it’s definitively going to be electronic dance music. I’d love to be right there on stage with all the other great DJs and composers who are playing trance music and dance music ..  YouTube

Around the world“, adds Oranyan’s wife, Olivia Coltrane…

Yeah, absolutely, and playing and being able to share my work, my art throughout the world that’s what I’d like. I’d love to be on tour or overseas, in France, in Germany, in Japan doing what I love and hoping that people like it, that it’s well-received and that the people understand.

Do you foresee other musical changes? This may sound crazy but within dance music,  I feel you can incorporate so many things and people accept it.  I love working with musicians, you can have people, various artists you can get to sing on your songs or play guitar or saxophone so to me dance music is limitless. And as far as improvisational it could be the closest thing to jazz music, cause you’re able to expand and bring performers and musicians with you so that’s I feel like about it. And I do have really cool ideas about incorporating more instrumentation. I do play guitar and piano and I also sing and that’s what you’re going to hear on my albums that are released. I’d also like to work with other musicians and to record on my recordings in live situations.

Music has to do something for you, if it doesn’t move you or evoke something …it has to do something for you…

Thank you, Oranyan Coltrane, for this inspiring and candid conversation!  I wish you the best with all your projects!

Interview by Guylaine S. Gamble 

Frédéric Paul Lallet

Exclusive Interview:

Frédéric Paul Lallet

Today, we rediscover a brand new Frédéric Paul Lallet! Intuitive musician, vocalist on the creative waves of his compositions, his soft and sensual voice expresses itself today in a pop language! His new track “YOU” is here! Infused with Latin Jazz rhythms and sultry vocals reminiscent of Gainsbourg it is a celebration of  Love & Life!  Frédéric is full of surprises!

Frédéric will discover music at a young age and will never abandon it taking refuge in his new-found passion. Following his Conservatory years, he will study at the Dick Grove School of Music taking master classes with  the likes of Lalo Schiffrin, Henri Mancini, Pat Martini, Russell Ferrante… In the 90s, Frédéric  records in duo in Paris with Eddie Gomez, Double bass player for pianist Bill Evans or Chick Correa. Returns to New York for a trio with Danny Gottlieb drummer for the guitarist Pat Metheny. He will record equally with counter bassist Viktor Dovskin, the drummer Viktor Espaneshnikov and the German guitaristWerner Hucks.

Victim of an accident in 1992 which will stop him in his tracks… he will open a Music School and recording studio. A decade later, the urge to create is so strong that he once again starts a personal 
journey of works improvisation and composition followed by recordings.In 2008, the album “Third Time” with American altistBrett Deubner is produced followed by  “Vibracciones en Asturias” with Cuban percussionistOrestes Barbachan the following year.

Frédéric decides to stay in Spain a few months and interrupts momentarily his work in improvised piano research. Several encounters will motivate him to reorient his compositions toward a more “popular” register…an album is in progress… and “YOU” is born !  I had the great pleasure to ask Frederic a few questions about his upcoming album and get to know him better – Here’s My exclusive interview:


GSG:  Tell us about “YOU”?

Frédéric Paul Lallet: I had in mind to do something very different of what I was doing musically. I started composing and very soon M. Walter Barr (NYC) and Mme Bénédicte Sanandji (Paris) joined me, Walter for the arrangements of Guapa Mexicana and  Bénédicte for the lyrics. Then in Spain, M. Angel Domenech helped me to do the recording with the musicians…

GSG: What is the musical thread in this new works? is YOU the album name?

Frédéric Paul Lallet: I will say it is a new way of expressing myself with a musical vocabulary more easy to understand. I added my voice for the first time on this two song project. So it is challenging to come back to a structure musical that I left quite a long time ago…. I think I will be able to give a name to the upcoming album as I move forward in my compositions…

GSG: What brought about the shift today in your music from 3rd Stream Jazz?

Frédéric Paul Lallet: Several trips to Spain last year were the vector of this shift. I needed a break in my Third Stream investigation…  lol!

GSG: You have been compared to Keith Jarrett and have worked with some of the greatest musicians such as Eddie Gomez  … any thoughts?

Frédéric Paul Lallet: Yes, of course, too many thoughts to develop here, but I am fascinated how creativity manifests itself… There are musicians, artists and genius. I have been fortunate enough to learn from the three. So memories are tremendous and unforgettable.

GSG:  Would you say that these new works represent a new YOU as well?

Frédéric Paul Lallet: Yes and No. Yes, because it is a fact that I am expressing myself differently. No, because I am the same inside even if like anyone else I need to adapt and adjust to all kinds of situations. It is true that this work gave me the opportunity to meet people with a different mentality and vision of life and well I enjoyed it very much!

GSG: What was the catalyst for this new music?

Frédéric Paul Lallet: The meeting of a great Mexican lady,the love of my children and family, and the help of my producer Mrs.Joséphine Giovannai.  Great people joined me in this project and all gave their best, so all the experiences were very beneficial to me and I think to all of us!

GSG: Enjoyed hearing your voice on this song… reminiscent of Serge Gainsbourg …?

Frédéric Paul Lallet: Yes, reminiscence of Serge Gainsbourg but also others singers…

GSG: I think your fans will be pleasantly surprised… thrilled even…. and some may miss  the former FPL… how do you think this new you will be received?

Frédéric Paul Lallet: Djiiii… I really don’t know. For me the most important was to have a good time and of course a good result… As long as I am in accord with myself the rest is details…

GSG:  Artists are multidimensional and the beauty of the artist is to never cease to explore and recreate, and reinvent?

Frédéric Paul Lallet: Yes, I agree  100%. But yet you can not give what you haven’t received so it takes time, persistence and work to see sometimes results…

GSG: What was your greatest influence for this new material?

Frédéric Paul Lallet: It may sound strange to you but I will say my heart! I love all kinds of music and I tried to mix different styles on “Guapa Mexicana”…

GSG: Is this new music representative of where you are at in your own life? One gets a feeling of a certain “lightness of being…”

Frédéric Paul Lallet: Spending hours on an instrument brings a withdrawal of life in general…and a great solitude… It was about time to move into something more “light” in order to enjoy and stay happy. Life is short and is supposed to be enjoyed no????  :)

GSG:  Can your fans expect more Jazz Improvisation? Future plans…

Frédéric Paul Lallet: Yes of course! I am myself curious to see what direction I am going to take…  I would like to do a video for each song.

GSG:  Enjoyed hearing the joy in this new material and it got me dancing! Do you salsa?

Frédéric Paul Lallet: Well I dance the way I feel… So it is informal but it makes me happy to share with others moments of happiness. So let’s say that I improvised when I salsa or dance any kind of music.

GSG: Will you be going back to Spain to finish this project?

Frédéric Paul Lallet: Yes. I feel good in this country, even though the economic crisis is really affecting the country… People are different, it is a good country to be in.

GSG:  What does music represent for you?  Music is…..

Frédéric Paul Lallet : My language, my mirror…

Thank you  so much Frédéric, we look forward to the album!

Artist Website

My Space 


Frederic Paul Lallet & 3rd Stream Page  ( Improvisation JAZZ):

Frederic Paul Lalllet to YOU  (Latin Jazz Pop)

You Tube


Interview by Guylaine Simone Gamble
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